A narrated explainer with each on-screen claim traced to a source.
Start with what the business wants to explain. The workflow builds a sourced story and script, then stages voice, screen assets, motion, and checks for a person to review.
Production map
Story
Buyer, claims to prove, one line per scene
Script and board
Sourced copy, shot list, motion plan
Cut review
Voice, screen assets, mix, frame checks
Narrated explainers and promo videos
Source each on-screen claim
Check speech against the script
Review the final cut before handoff
Check the claims, voice, sound, and frames.
The pipeline checks each render. A result from one render does not promise later work.
Script gate
0 unsourced claims
Required before render
Every claim in the script needs a source.
Audio and speech checks
−16 LUFS · ≤ −1 dBTP
Render targets
Voice covers at least 85% of runtime, with no music-only gap longer than 1.5 seconds.
From the story to a reviewed cut.
The pipeline stages the story, script, storyboard, voice, assets, animation, mix, and frame checks for review.
Define the story
Gather the buyer, list the claims to prove, and set the intended shape. The owner approves the story before drawing.
Write and board
Prepare the script, short variant, source list, and shot plan. Review keyframes, runtime, and motion plan before rendering.
Lock voice and build
Lock the voice track, stage timed screen assets, compare speech with the script, then add motion and mix.
Check and hand off
Review sound, speech coverage, a scan of every frame for third-party brand names, phone-width frames, and a frame-by-frame review sheet. The owner gives the final verdict.
A master, a shorter cut, and the review trail.
You get editable source and QA notes with the rendered files.
Video files
A 60-second master and short cut.
The master uses 1920×1080 H.264/AAC. A 20–25-second cut comes from the same locked voice.
Production record
Keep the sources and checks.
Handoff can include the storyboard, shot list, sources, check results, frame-by-frame review sheet, editable composition, and render notes.
Confirm the story before production.
This preview has no price, turnaround or intake form yet.
Source material
Start with the buyer and claims.
The story begins with the intended buyer, the list of claims to prove, and what the business wants to explain.
Human reviews
Review the story, board, and cut.
The owner reviews the story and shot list, then the final cut before anything is published.
Plan the first video brief.
This preview has no intake form, price or service terms yet.
Name the buyer
Describe the person the video should help and the job they need to do.
Follow the scene plan
Storyboard scenes follow the approved story and shot list.
Prepare the handoff
The completed cut comes with its QA notes before publication.